Wednesday, October 3, 2018

"Betrayal on Aruba Winds" - the novel

Betrayal on Aruba Winds




KIRKUS REVIEWS

TITLE INFORMATION
BETRAYAL ON ARUBA WINDS
Tracy Novinger
Morpho Publishing, Inc. (356 pp.)
$15.99 paperback, $6.99 e-book
ISBN: 978-1-983723-89-6; March 2, 2018

BOOK REVIEW

In this novel, a businesswoman at a personal and professional crossroads discovers that the secrets of her past may help her solve problems in her turbulent present.

At 31, Alissia Aruba Saxton has a life that many would envy. She works for an import company in the United States and has a devoted fiance named Tom. While she places a premium on responsibility, she also yearns for the casual spontaneity of Aruba, the island of her birth. Shortly before her wedding, she fights with Tom, makes mistakes at work, and suffers from nightmares. Believing her present problems are rooted in her past, she returns to Aruba, where she reconnects with her mother’s dear friend Rika and recalls the people and places that shaped her life. Her father, Stass, worked for the oil refinery, and her mother, Nessa, was a housewife whose dreams of attending college were thwarted by the high cost of education. Alissia was an observant child who spent much of her time exploring the island with her friend Eddie Williams and observing the men who worked with her father. However, her memories of the island also have a dark side—one that comes into focus when she examines the lingering effects of an assault and her role in a mysterious death. Novinger’s (Intercultural Communication, 2001, etc.) novel is a sweeping historical epic that explores themes of memory, guilt, and responsibility while introducing an unforgettable heroine. Throughout, Alissia is haunted by one simple question: “Is my paradise something I made up?” Her search leads to revelations that are shocking and thought-provoking. The island setting plays an important part in the novel, as well, and Novinger creates a richly detailed portrait of Aruba in the 1940s and ’50s, highlighting aspects of everyday life and showing the importance of the oil industry to the local economy.

A vivid historical epic that’s expansive in scope yet intimate in focus.

Tuesday, October 2, 2018

A YouTube Review

Doctor Tomás Costal Criado at UNED in Pontevedra, Spain, posted on YouTube a thoughtful review of the first of my two published, non-fiction books:

<iframe width="560" height="315" src="https://www.youtube.com/embed/aZMgxc2wdlY" frameborder="0" allowfullscreen></iframe>

[Click to view video on YouTube: Intercultural Communication: A Practical Guide]

Wednesday, September 21, 2016

Sunday, March 13, 2016

Saturday, February 20, 2016

Misfits

#write #creativity #misfits #reinvention

What an elegant conceptualization of a misfit this is.


[Writer Lidia Yuknavitch] starts to speak directly to her fellow misfits in the room. “There’s a myth in most cultures about following your dreams. It’s called the ‘hero’s journey.’ I prefer another myth to the side of that, or underneath it maybe. It’s called the ‘misfit’s myth,’” she says. “You may not know this yet, but you have the ability to reinvent yourself, endlessly. That’s your beauty.”“You can be a drunk. You can be an abuse survivor. You can be an ex-con. You can be a homeless person,” she says. “You can lose all your money or your job or your husband or your wife or, the worst thing of all, a child. You can even lose your marbles.”“You can be standing dead center in the middle all of your failure,” she says, “and still I’m only here to tell you: you are so beautiful and your story deserves to be heard. Because you, you rare and phenomenal misfit– you new species — are the only one in the room who can tell the story the way only you would.”
--http://blog.ted.com/lidia-yuknavitch-tells-her-story-at-ted2016/

Friday, January 29, 2016

Telling the Truth

#Fiction #Truth1 #Truth2 #Truth3 #Truth4

Rules on Truth:

  1. Always tell the truth (at least most of the time).
  2. Tell the whole truth (more or less).
  3. Tell nothing but the truth, with a few embellishments, of course.
  4. But...